I was somewhat conservative in my program as well as the distance between pieces (just in case the kiln had hot spots or the programmer was not properly calibrated)
And I made these two little piles of glass in an open spot on the shelf... they were tests to see how much the glass was moving at these temperatures... you see, this white glass is really stiff, so is the pink and lime green, so I made these little piles to see how flat they would become. If I raised up the temperature of my "Full Fuse" or kept it at that temperature for longer (currently Mustafa stays at full fuse for only 3minutes) I could get these piles to fuse flatter.
Lastly - for all my readers that are fellow glass artists - here is the kiln schedule that I am using:
Segment ..... Rate ... Temp... Hold1 350 500 0.102 450 1000 0.053 200 1250 1.304 9999 1488 0.035 9999 900 1.306 50 800 0.017 75 500 0.018 100 300 0.019 Idle to room temp.